|
BBCeng.info
Recollections of BBC engineering from 1922 to 1997 |
The British Broadcasting Corporation web site is: www.bbc.co.uk |
Information Exchange and Contact |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| This page is intended to help people who are seeking assistance with matters relating to BBC engineering. | To contact the originator of an item below, click the link in the relevant section. I will forward your email to the intended recipient. | Let me know if you would like an entry on the page. Please return from time to time. |
| Date inserted | Title |
(See end of table for resolved items) |
|
| 9-Jun-08 | AM6/7 |
Waynne Smart
recently bought from eBay a BBC AM6/7 Limiting Amplifier (No.254) and
two power units PS2/4. He would like to get the unit restored
and back to full working order and set in to its own rack unit with
XLR in/outs with the power supply. He is looking for someone who
may be able to restore and rack-mount the units for him. He
would also appreciate help with sourcing the circuit diagrams.
Click
here to see the unit on eBay.
The RD&CE book lists the following: AM6/7 - Programme Limiting Amplifier for transmitters and unattended studios and as a compressor for "pop" music types of programme. Includes noise gate. Voiceover input, top tilt for use at FM transmitters, and relay to guard automatic monitoring apparatus. CHl/26B, Pegs 23, 39. DD 1968. DD Spec 3.471. DDHB 3.94. EDI. ACO. OBSOLESCENT |
|
| 4-Jun-08 | BBC Leeds | Stuart Childs would like to get in touch with people that used to work in the BBC Broadcasting House based on Woodhouse Lane in Leeds. He is currently conducting some research into the history of the building, with the aim of curating some interviews and photographs for an exhibition in the newly - renovated building. | |
| 23-Apr-08 | Brian Fitt | Patricia Hunt Chase would like to get in touch with Brian Fitt. She may be a distant relative of his from the States. Brian is mentioned in Eng Inf No.11 as he was SCPD project leader for refurbishment of the Greenwood Theatre starting in 1979. | |
| 11-Apr-08 | DK4/16 presenters desk |
Jim Harpur writes: "I'm the proud owner of 2 x RP2/8 disc reproducers, and what's left of a DK4/16 presenters desk. The turntables still work pretty well, but only the 'bones' of the mixing desk survive. I would like to rebuild the 'desk', but have no circuit diagrams, or plans for the wooden framed desk. I wonder if anyone has any old 'plans' to help me with this project. Many thanks, Jim" According to the Registered Designs and Coded Equipoment book: The DK4/16 is a "Studio Presenter's Desk, used in Radio 1 Club programmes, with 2 RP2/8. Contains 8 channels channels. Transportable wooden desk, formica clad. DD 1972. DDMI 3.548. DDTM 3.125. EDI 10148(1)OCT72." |
|
| 31-Mar-08 | GE6M/564 Picture Store |
Brian Summers (G8GQS,
www.tvcameramuseum.org, ex BBC outside Broadcasts) writes: "As
part of my camera collection I have a
GE6M/564 general purpose
picture store. It is a 4U high "silver unit" and it is in good
condition and works well. The picture stored in the unit's EPROM's is
the Eurovision identification logo. In addition it makes colour bars
and a few other test signals. As I would like to keep this as part of
my working collection I would like to acquire some information, the
handbook and circuits. It's certain to stop working one day! I am also
interested in details of the EPROM's and if it is feasible to program
other pictures. Has anyone else got one?" New: 11-Apr-08: Comments from Richard Russell: "I don't know a great deal about the GE6M/564, but here are a couple of comments which may be of interest to Brian Summers: 1. The EPROMs are described in the EDI sheet as '128 k' which is somewhat ambiguous because it could mean 128 Kbits (i.e. the devices would be 27128s) or 128 Kbytes (the devices would be 27010s). It should be easy to determine which they are, because a simple calculation suggests a Rec.601 frame would require around 64 of the former but only around 8 of the latter. 2. It should certainly be feasible to program other pictures into the device (always assuming a suitable EPROM programmer is available) although the data format might be difficult to determine, especially if no circuit diagram can be found. I would caution that there is a possibility it needs Cb and Cr data separated by 74 ns rather than the co-sited samples specified by Rec.601. If so an interpolation process would be required as part of the data preparation. Regards, Richard." |
|
| 15-Jan-08 | Preservation of BBC Vehicles |
Phil Upton writes: "I have only just discovered bbceng.info and
have been very intrigued by the items regarding Eagle Towers.
I am sorry I missed the original enquiry from Neil Bennett as I would have replied instantly, although I could not have improved on the excellent account given by Jeff Longbottom. I too possess a treasured set of Dinky OB vehicles - models of vehicles still in use during my time on O.B.'s ! However, I was particularly interested in the reference to the two 100ft. towers mounted on the Leyland Lynx chassis because I, for my sins, was project manager for the design and construction of those vehicles, a two year nightmare when I was with TPID/TCPD Links Unit. I have long wondered whether anyone, anywhere, has had the brains to preserve one of the original 60ft. towers which were the backbone of Tel. O.B.'s for so may years. I have a presence in the commercial vehicle preservation world - my pride and joy is a 1927 Austin 7 delivery van - and at rallies I regularly see preserved GPO, RAC, AA and municipal vehicles but NEVER a BBC vehicle. The nearest was a beautifully restored flat bed truck whose registration I recognised - one of the RXX series which were in the BBC fleet for years. It was originally a film unit generator vehicle but was sold minus the generator and the current owner has done a lovely restoration but of course it is not in BBC livery. I briefly became Acting Assistant Transport Manager after TCPD and it was part of my job to dispose of redundant vehicles. I had to do so under some fairly stringent rules laid down by the BBC Governors designed to prevent ex-BBC vehicles falling into the hands of serving staff which, the Board believed, could have led to accusations of sharp practice. As a result, all vehicles went to open auction and I suppose they just melted away into the second-hand market. Does anyone know of any BBC vehicle which has escaped into preservation - especially an Eagle Tower!" New: 5-Feb-08: Comment from Chris Collingham: "I have just read the note from Phil Upton regarding Eagle Towers. I worked for BBC Comms Dept London for many years including attachments to Radio Links in Manchester and Birmingham and frequently worked on 60ft Eagles. I also had an attachment to TCPD working for Phil and spent many months at Brookmans Park helping to put together the first 100ft tower, he may remember me. I have also wondered if anyone had the foresight to save one, I am still trying to find a Dinky model in reasonable condition, in fact a search for that led me to the BBCeng.info site. When working on Match of The Day in the North, I was always impressed by the Granada Eagle Towers as they were so much shinier than ours as well as having chrome wheel trims! They always turned up in pairs as apparently an OB was once lost because the tower could not be erected. Following an accident one of the Manchester Eagles had its cab replaced by one from a 'Green Goddess' fire engine complete with flashing lights which of course were never used! After 11 years at the BBC I left to become Chief Engineer TV-am and held a similar position at Channel 5, I am now helping the BBC with their HD channel." |
|
| 15-Jan-08 | Audio Limiter Mk II |
Dennis
Johansson has in his possession an old and not very common BBC
made compressor. It is called "Audio Limiter Mk II" and has the
serial number 13. He has asked a few BBC people about it before but no
one knows what it is. Could you maybe shed some light?? It has
the same inductor "delay" board as other BBC comps as AM6/7 and
AM6/17. You can see a picture of it
here. New: Mark Timlin has pointed out that there is a discussion on the BBC Audio Limiter MkI in a BBC monograph, published October 1967. There is a picture of the experimental unit on page 14. |
|
| 31-Dec-07 | SCPD monthly news magazines |
It has been suggested by Rik Brooks that it would be good to include SCPD monthly news magazines on this web site. If you have a copy of any of the issues and would be willing to help, then would you please email Martin Ellen. |
|
| 3-Dec-07 | Cromer | Sean Cooper has a request regarding the MF site that never was ... at Cromer! He has found out some information about this former Home Service site (e.g. it was actually at Hempstead near Holt, Norfolk), but would love to hear from any website visitors if they have any info, plans, logs, photos and/or stories of this site, however small. He is particularly interested to know what frequencies were used, when they were used, any transmission specs and when the site was finally closed down and dismantled. If any one has any of the BBC Radio Transmitting Station Handbooks from over the years (mainly 1950 to 1988) he would particularly love to hear from them, or even have scans of details about the 'Cromer' site. | |
| 3-Dec-07 | Painton attenuator | Brian Moran is seeking a part for a PYE 84 4060 compressor/limiter and thought that there may be a similar part that has been used in some other BBC equipment. The part he needs is a Painton attenuator. The part number he has is 'G.S102784/763'. Any help would be much appreciated. | |
| 3-Dec-07 |
KEF LS5/1 LS5/1A |
Malcolm Jones was at KEF from 1961 - 74 and is writing a book on the early days of the company. He will be writing about the LS5/1 and LS5/1A as they used to build some and converted them into the active version LS5/1AC. He is interested in the differences between the 1 and 1A. Any information would be appreciated. | |
| 6-Sep-07 | Transformers etc. | Stuart Winsor has, over the years, "broken up" some old white fronted bookcase units and he has a quantity of mains and audio transformers and other odd bits which might be useful if anyone is trying to repair/resurrect such. He also has some old TIs and information on quite a number of BBC transformers. | |
| 28-Jul-07 | Painton faders | Wilfried Kobiolka is looking for old quadrant Painton faders. Do you know where he can find such things. Type Number: GS 100 345 or GS 100 349. | |
| 28-May-07 | Neve General Purpose Radio Console mk IV |
Marco
Manieri has just purchased one of these mixing consoles, production
no. 10180, from a broker in England.
The broker did not have any documents whatsoever. Luckily, Marco is in possession of a technical manual for a similar desk, only from a different production run, and it appears that some wiring differs. He would like to get in contact with someone who might be able to help him track down any further documents. |
|
| 3-Feb-07 | Broadcasting history in the South West | Tony Byers is researching the history of broadcasting in the South West with the aim of setting up an oral history archive based at BBC Plymouth. This will include interviews with former staff. He is interested in hearing form anyone who worked at Start Point or BH Plymouth in the war years or the immediate post-war period. He is also trying to find out what programmes were made at BH in Seymour Road in the 50s and 60s. One aspect he is trying to find out more about is the visits of war correspondents, including Frank Gillard. If anyone has any information, recordings or photographs dating from the war onwards please get in touch. | |
| 30-Jan-07 |
"Secret" sites and Mobile Transmitter Units |
Martin Briscoe is often asked about the old
Deferred Facilities network, though like most people he was never
told much about it. He remembers visiting a site at Normandy near
Guildford which he would describe as "covert". How many more of
this type of site were there and have any survived? If anyone has
any photographs he is sure that
Sub Brit and others would welcome seeing copies. Also, does anyone know the background to the Mobile Transmitter Units, or have any photographs of them when still equipped inside. As far as he knows there is there is just the one left rotting away which seems a shame as it should really be saved. |
|
| 4-Sep-06 | LSU/10 loudspeakers |
Tom
Goulet has now received a Technical Instruction on LSU/10
loudspeakers, as requested below (The drivers
inside turned out to be made by Parmeko and not Pamphonic). He is now looking for an original amplifier. If you can help then please make contact via the above link. |
|
| Items that have been resolved (and/or are no longer current) | |||
| 6-Dec-07
|
Unknown microphone in BBC Heritage Collection
Resolved |
![]() John Trenouth, who's sorting the BBC's Heritage Collection, has come across an unknown microphone and wonders if anyone can help. "It looks like a “one-off” and as such I suspect it’s a BBC made one. It’s beautifully made, a capacitor microphone with a capsule about the size of an AKG C451 capsule. It has a miniature “apple & biscuit” arrangement on the end of the body which is about 7 inches long by 1&3/4 inches diameter. The body is silver plated (real silver) and is removable (by depressing a latching pin) to reveal the insides. The electronics comprise an EF40 with encapsulated resistors & caps. The capsule remains inside the body, removable by unscrewing the top end of the body. There are no markings at all on the microphone except a small engraved arrow to help align the body with the latching pin. Surprisingly the connector is a 3-pin XLR (with an additional screw fitting – like an oversized inside-out tuchel!). I assume that pin 1 is earth, pin 2 is 6.3volts for the heater (must be DC?) & pin 3 is HT in & signal out (assuming that the anode resistor is in the (missing) power supply). Somebody must recognise it. There is a very faint suggestion that it may have been designed as a “Royal” microphone." John Trenouth discovered (not via bbceng) that it was made by Philips. It has an omni pickup pattern & was apparently much liked for single microphone orchestral pickup. The capsules were slightly variable (ie inconsistent response between “identical” microphones) and the connector was unreliable. It had to be used with a dedicated filter network. |
|
| 3-Dec-07 31-Dec-07 |
AM6/14 Resolved |
Richard Barnes
would be very pleased if someone could let him have a circuit diagram
for the AM6/14 "delay-line" audio limiter. Unfortunately this
circuit is no longer held by BBC Research. This limiter is in an
"imperial" (white-fronted) chassis 3U high and 2 BBC Units wide.
It was used in local radio stations in Leeds, London and Manchester,
plus the desk in the Langham Local Radio Training Suite, which was later
transferred to Radio Sheffield's Cubicle 2. None of these desks
still survive. They were very good limiters, better than the the later
BMM series, but the circuits seem as rare as hens teeth! He is still
kicking himself for not liberating a copy of the circuit when Radio
Leeds moved, only a couple of years ago! Response from Richard Barnes: "I have now received the service manual for this unit, including the full line-up details, from Brian Summers at the TV Camera Museum. I also had an offer of help from Mike Davies, and Brian Moran put me in touch with a guy in Denmark who sent me what he had. Altogether a very satisfactory outcome. Many thanks for your help, all power to your website, and a Happy New Year!!!!" Subsequently, an offer of help also came from David Porter. |
|
| 29-Jan-07
3-Dec-07 |
Tacolneston
Cancelled |
Sean Cooper is trying to write an article for
his website
about the history of the Tacloneston transmission site. He is
researching the history of this Norfolk broadcast site, it's
transmitters, operation, construction, etc as it is celebrating 50
years. Any help, and/or photos (especially from the earlier
days) would be greatly appreciated. Please contact him via his web
site. See also the 20-Mar-06 entry below. Project closed, but see request regarding Cromer dated 3-Dec-07. |
|
| 21-Aug-07
|
BBC TV OB vehicle with elevating aerials
Resolved |
![]() Neil Bennett is interested in the BBC television vans with elevating outside-broadcast aerials, referred to in the journal "Engineering" 11 Jan 1963. The elevating structure or ladder was made by the famous Merryweather & Sons company, which he is researching. It is likely that the DINKY TOYS model no. 969 ("TV Extending Mast Vehicle") was based on this (and he has an example). It looks a bit like a Green Goddess fire engine. Can you share with Neil any information or pictures on the 'real' version of the Dinky model, and (if different) the van(s) with Merryweather components? Also, he would love to know where the 'rotting' vehicle is. Neil has provided these three pictures of Dinky models of BBC vehicles: the Extending Mast Vehicle, Roving Eye Vehicle and Mobile Control Room (from Vectis Auctions website). Information on the 'real' version of all three is welcome, but can anyone confirm or expand on Merryweather's involvement? As a result of the notice above, help came from Jeff Longbottom who provided this good reply: Merryweather & Sons did supply such vehicles to the BBC but only up to 1951 and in view of the fact that the original one on which the Dinky model is based was not put into service until after 1952 then this does not apply. The vehicles on which the model is based were in fact built by Eagle Engineering of Warwick and somewhere in the region of ten units were eventually supplied to the BBC over the next five years. Identical examples were also put into service with ATV and Granada and were known within the industry as 'Eagle Towers'. In the case of those supplied by Merryweather, the original examples were provided on loan, the first such one dating from 1937 and was just a basic fire appliance to which an aerial was attached at the top. The first custom built model was put into service in 1938 and had an enclosed body mounted on a Albion coach chassis with the mast being capable of being raised to a height of 80ft. No further developments took place until after the war when a second example based on a Fordson 4X4 vehicle was purchased from the MOD in 1951. Two further examples were obtained from Merryweathers in 1951 which were rather more sophisticated in that they had aerials which could be raised to 100ft and also incorporated a transmitter and generator. These also had enclosed bodies and were based on AEC Regal coach chassis and were known as PTAs (Power Transmitter Aerials) and were to be the last purchases from the company. As mentioned above all future purchases were to come from Eagle Engineering with the common factor of having 60ft 3section triangular masts mounted on Bedford 4x4 chassis and this became the standard model. The final versions of this type of tower were supplied in 1973 on Leyland Lynx chassis and differed in the fact that they had 100ft towers. Future purchases came in the form of Simon Engineering hydraulic hoists and as before were operated in both 60ft and 100ft versions usually mounted on Leyland Freighter or Constructor chassis. Nowdays of course there is no requirement for such vehicles as all transmissions are uplinked via satellite from van mounted dishes, commonly on Mercedes Sprinters. All three Dinky models are faithful representations of the originals. The original of the Extending Tower was put into service in 1952 while the Mobile Control Room is based on a batch of four Bedford vehicles put into service in 1954. The third model in the set, the 1956 Karrier Bantam based Roving Eye was a second version of this type of vehicle operated by the BBC and was designed to be operated 'on the move' using two cameras. One camera was mounted on a gun ring on the roof with the second one mounted in the passenger position in the cab area to provide a view through the side, hence the enlarged passenger window. It also carried an onboard generator and had a pneumatic mast capable of being raised to a height of 45ft (but not while roving !!!). Surprisingly, Dinky never modelled the fourth type of vehicle employed on outside broadcasts, the radio links van although two models in the set, the control room and roving eye, were later produced in the colours of ABC Television as a control room and a links van even though the company did not operate these original versions. (See the Studio and Outside Broadcast Operations page for a relevant picture.) |
|
| 28-Jul-07
10-Aug-07 |
Audio Line Amplifiers Resolved |
Marnix
Bosman has found a complete rack carrying
AM7/11,
AM7/12 and
AM7/13 units
and he would like to get them going again. Therefore he is looking for
the schematics or the pin layout and hopes there is somebody able to
help. Information provided via new arrangement with BBC (see next item
below). |
|
| 7-Jun-07
10-Aug-07 |
AM6/21 and UN4/6 Resolved |
Pablo
Kahayan repairs and restores equipment for professional
recording studios in Spain. He has two AM6/21 and two
UN4/6 units
to repair and he is seeking information, in particular schematics for
the UN4/6. Information provided via new arrangement with BBC, as
reported on Home page and copied below. The BBC has kindly established an arrangement whereby circuit diagrams of old equipment can be provided. This only relates to "BBC Coded Equipment" that was designed in-house (mainly by Designs Department) and the Terms & Conditions are given below. The information will be provided on PDF files, in response to requests regarding individual items. If possible, the Equipment Code should be given (e.g. AM7/11). This web site has all of the EDI Sheets that were produced and RD&CE listings, so this might help in identifying specific items of equipment. It is likely that most requests will emerge as a result of ex-BBC coded equipment being acquired and this probably doesn't happen very often, but we need to make sure that the BBC is not inundated so please send such requests to me for the time being. Terms & Conditions: "Any intellectual property rights in these [circuit diagrams] are owned/licensed by the BBC. They are made available for private study use only and on the understanding that no warranties are provided by the BBC (in relation to third party intellectual property rights or otherwise) and that all liabilities relating to the individual's use of this material rest with the individual and not with the BBC". |
|
| 29-Jan-07
15-Feb-07 |
Who is she?
Resolved |
Andrew Dart would like to know the name of the young lady in the
attached photo. Her picture appeared as a single frame in the
leader of many films in the 1970's and earlier, and apparently she was
well known to the engineers of the BBC.
Click to see a larger picture.As a result of the notice above, help came from two people:
Richard Russell: Dave Buckley (TV Training 1969 - 1993): Lynn came third in a Miss Great Britain contest shown on TV and this may have been the way she got the job of posing for the chart (which must have come in to use around 1976/77 at the earliest). |
|
| 20-Mar-06
23-Jan-07 |
LSU/10 loudspeakers
|
Tom
Goulet is seeking information or the Technical Instruction on LSU/10
loudspeakers as shown in the pictures below (click to enlarge). He
is specifically interested in the Pamphonics drivers the BBC used in
them.![]() ![]()
As a result of the notice
above, help came from
David Birt: Somehow the words 'research' and 'amplifier' had become connected in my mind concerning the integral amplifier housed in the cabinet. The name Leak also lurked in the background. All can now be revealed! Some LSU/10s did incorporate a Leak "0.1" amplifier (in its first and best incarnation using KT66 output valves). Fortuitously, this is confirmed by a Leak advert. in the same issue of Wireless World which shows a photo of an LSU/10 cabinet with the side cover removed to expose the amplifier. So where does the word 'research' fit in? It was not actually BBC research but the GEC research labs in Wembley. That is where the prototype amplifier was designed, and Leak were employed by GEC as a wiring-shop to build a batch. Subsequently a deal was struck whereby H.J.Leak marketed a simplified design as their own "0.1" amplifier. Thus early LSU/10s may have had a mixture of the original 'research' amplifier and then the subsequent commercial Leak amplifier. Shorter's article (along with many others of that period of Wireless World history) makes fascinating reading. He points out that to apply resistive acoustic damping, you have to position the damping material at a point of high air velocity, and that it is a complete waste of time gluing felt to the cabinet walls which are nodes. I recall that Hugh Britten took note of the physics in his design of enclosures for the GEC metal cone loudspeaker. Since then, enclosure designers have largely ignored the laws of physics, and persisted in putting damping on the walls of the cabinet! It is amazing how often art, craft, and science is forgotten; only to re-discovered decades later! Oh yes! BBC Equipment Department get a mention for building the cabinets which were in two parts, with the carpet-felt damping material stretched across an interconnecting aperture. (That's how 'carpet' got retained in my memory). The cabinets could be puchased from Lockwood. So there you have it! Further information from Richard Carruthers: "David Birt's response to Tom Goulet's post is interesting. I am not sure where the Pamphonic amplifier crept into the equation but I have heard this before; Pamphonic made quite nice domestic equipment but it was not up to the fidelity standard required by the BBC. What I found particularly interesting was the genesis of the "Point One" which I had always thought to be a Harold Leak original. The GEC involvement is consistent with the DSIR not being able to measure the harmonic distortion to the degree of accuracy claimed by Leak when the equipment was launched on the market! Another fallacy, this one much more widespread, is that the LSU/10 and earlier monitors were fitted with Tannoy drivers. As far as I have been able to determine, this never was the case. Mr Shorter's LSU/10 was the last of that particular line which started before the war as the LSU/1 with a Wharfedale driver. Subsequent variants of this early bass reflex cabinet were fitted with Rice Kellogg units which, in turn, were supplanted in the early 'fifties by a Parmeko dual concentric driver, known within the BBC as the LS/1 drive unit. This had a 3" diameter voice coil and 1,75" aluminium horn loaded dome tweeter with crossover at 1200Hz. This arrangement, adopted in 1952, was a bit thin in the mid range supposedly due to problems integrating the horn with the large woofer; nor was it wonderful at the top end - a characteristic not much in evidence before Decca's FFRR revealed all sorts of audio shortcomings. Additionally, noise generated by the 405-line television manifested itself at a bit over 10kHz and occasionally this would find its way into radio broadcasting. Since the Parmeko unit dropped off fairly rapidly after 7,5kHz, this interference could not readily be detected in the studio so it sailed off blithely into the ether. Since it was all AM in those days, I don't suppose many people noticed but the Beeb was always a stickler for quality. The HF deficiency of the LS/1 was disguised by the fitting of a Lorenz tweeter, often bolted to the expanded metal front grille! The LSU/10 was pensioned off in 1962 and superseded by the LS5/1 - a horse of very different colour having a 15" Plessey and two GEC plastic dome tweeters. That Tannoy Dual Concentric drivers were never fitted in this application is something I find a little strange, given that the Tannoy was streets ahead of anything comparable and the driver of worldwide choice for just about every quality monitoring system. Perhaps there was a political element to this as Jack Houlgate had left Tannoy to work for D E L Shorter in R&D. May I conclude by asking if anyone knows how I might obtain a copy of Edward Pawley's "BBC Engineering 1922-1972". Email (via martin Ellen) |
|
|
20-Mar-06
9-Jan-07 |
405-line sync pulse generator
Resolved |
David
Dunmall (SCPD engineer until 1992) is seeking information about a
one-off 405-line sync pulse generator as shown in the pictures below
(click to enlarge). It is believed to have been used to drive a
breakdown caption generator at North Hessary Tor. "MWA SPG" is
etched on the circuit board, which suggests that someone with the
initials MWA may have been involved. As a result of the notice above, help came from Maurice Lovelock who identified the designer as Mike Axford. Then, after help from Phil Marrison and BT Directory Enquiries, David had a very interesting chat with Mike and learnt the history of the SPG. David commented that "It is so professionally built that I had previously thought that it was a Designs Dept. prototype that was never put into production". |
|
| 30-Mar-06 |
Start Point: U-boat batteries Old and unresolved |
In the 1950's Start Point had a roomful of submarine batteries to stay on air for 40 seconds in case of a power failure whilst starter cartridges were used to activate the standby generator. There was a wall plaque stating these batteries had been salvaged from a U-boat that had gone aground there in 1942 and that they were manufactured by Siemens. If you can provide any more information about these batteries please contact Anne-Marie Davies. In particular she would like confirmation that they were manufactured by Siemens, because www.uboat.net states that Uboat batteries were all made by AFA. |
|
| 20-Mar-06 |
Tacolneston Old and unresolved |
Hadrian Jeffs is writing a book and contributing to a television programme on BBC Look East to celebrate the 50th anniversary of Tacolneston transmitting station in Norfolk, England. Please contact him if you have any interesting information or anecdotes that would be suitable for publication. He would like an account of an average day’s transmitting routine in the 1960’s or 70’s (although not too technical as he is aiming for a fairly general audience), as well as what it’s like to go up the tallest structure in Norfolk. | |